1985
Oil on board
41.8 x 53.5 cm
Private Collection, UK
Works | 1980 to 1989 All Works in RA Summer Exhibitions 1937 to 1993 Gatherings | Crowds | Festivities Bonfires | Flames | Smoke Landscapes | Gardens
Recto: Signed and dated lower right: R. Eurich. '85
Verso: Inscribed " 'GREENHAM COMMON' . 1985 RICHARD EURICH R.A." , and label from RA exhibition which wrongly dates the work as 1986
Other measurements: 41 x 52.5 cm [REP]; 41.8 x 53.5 cm [Bonham’s]; 15 ½ x 19 ½ in, 39.5 x 49.5 cm [Lawrence’s]
Berkshire England Newbury abstract barbed wire bonfire crowd fence group guards police protesters trees wheelchairs women woman femaleDepicts the "Embrace the Base" event in 1982 when 30,000 women held hands around the 6 mile perimeter of the air base to protest against the nuclear weapons sited there.
It was a chilly day when a group of friends and family went to “embrace the base” - holding hands around the entire perimeter of the Greenham Common airbase where Britain hosted American nuclear cruise missiles. Popa would have heard our stories of travel by coach and how we walked all the way round to keep warm and meeting people we knew from all over the country. I was 19 and met Quakers I had been with at Youth Theatre summer camps called The Leaveners in previous years.
Prior to this tremendous event Nana and I drove to Greenham a …
It was a chilly day when a group of friends and family went to “embrace the base” - holding hands around the entire perimeter of the Greenham Common airbase where Britain hosted American nuclear cruise missiles. Popa would have heard our stories of travel by coach and how we walked all the way round to keep warm and meeting people we knew from all over the country. I was 19 and met Quakers I had been with at Youth Theatre summer camps called The Leaveners in previous years.
Prior to this tremendous event Nana and I drove to Greenham a few times to take food, usually a quiche, to the women who had made camps at the gates which they named as colours of the rainbow. Popa often painted rainbows! He never seemed political but Nana was involved in a “telephone tree”. This meant that as soon as a missile launcher left the base on a transporter, usually under cover of darkness, news of it was relayed through telephone contacts. It felt so very important but there was some levity too. When we offered the food we were asked if it was vegan and Nana did not understand...it was vegetarian. As a side note, Popa contributed to a Royal Academy recipe book and when he saw a “quiche” he asked what a “ kwitch” was!
The curve of the tall fence in this painting is echoed colourfully as the protesters begin to gather, small groups emerging from the autumnal trees. There was a carnival atmosphere despite the solemnity of the political issue. I am amazed how this whole image came from our various verbal accounts. I am sure that we were not particularly visual in our descriptions.
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