The Hammock - with acknowledgements to Wadsworth (c1943)
Photo: Courtesy of Dreweatts 1759      
© Dreweatts 1759

The Hammock - with acknowledgements to Wadsworth

c1943

Oil on gesso on (plywood) panel
25 x 35 cm

Unknown collection (see timeline)

More details...


Recto: Not signed or dated

Verso: Signed on frame: R. EURICH; Thomas Agnew label no. 47432; Fine Art Society label with title 'The Hammock - with acknowledgements to Wadsworth', dated November 1983; label of unknown origin with same title; attached 1987 letter from Richard to the buyer Cherry Palmer telling the story how the picture come to be painted.

Other measurements: 25 x 35 cm; 25.5 x 35cm [Dreweatts]

France Le Havre French flag Wadsworth anchor berth bridge hammock harbour old woman passenger ship quayside sailor steamship young man

This painting is a pastiche of a picture by Edward Wadsworth with whom Richard had a long correspondence.

REP / PC

During what were for him the often dull days of the war (he had no work as a War Artist to preoccupy him), Edward Wadsworth suggested that he and Eurich painted, purely as a wartime pastime, versions of each other’s paintings. He picked Eurich’s Mousehole, Cornwall (1938), now in the collection of Rochdale Arts & Heritage Service, while his correspondent chose to paint a version of Wadsworth’s Le Havre (Basin de l’Eure), 1939, now in the Laing Art Gallery, Newcastle.

Towards the end of October 1942, Eurich wrote in his diary: ‘Started a small painting from one …

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During what were for him the often dull days of the war (he had no work as a War Artist to preoccupy him), Edward Wadsworth suggested that he and Eurich painted, purely as a wartime pastime, versions of each other’s paintings. He picked Eurich’s Mousehole, Cornwall (1938), now in the collection of Rochdale Arts & Heritage Service, while his correspondent chose to paint a version of Wadsworth’s Le Havre (Basin de l’Eure), 1939, now in the Laing Art Gallery, Newcastle.

Towards the end of October 1942, Eurich wrote in his diary: ‘Started a small painting from one of Wadsworth’s pictures, making alterations where I felt like it.’ Two days later, he had finished it, writing: ‘I wonder what he will think of my “improvements”.’ There is no record of what the older artist thought, and the painting, which Eurich titled The Hammock and painted in oil on a gessoed panel, is currently untraced [see comment below]. The main change is that the strange draped shape across the foreground has been wittily turned into a hammock containing two figures. Sadly, there doesn’t seem to be a “Eurich" by Wadsworth: perhaps he never attempted one, or was dissatisfied with the results and destroyed it.

Andrew Lambirth in "The Art of Richard Eurich", 2020

A recent auction revealed that the painting was owned by private collectors Bill and Cherry Palmer from the early 1990s and was passed down the family until it was sold by auction in 2024.

Provenance

AUCTIONED | 15th Nov 1978

"[title unknown]", Sotheby’s, London

lot 109

AUCTIONED | 6th Nov 1981

"[title unknown]", Christie's, London

lot 141, illustrated

WITH | November 1983

The Fine Art Society, London

ACQUIRED | September 1987

by private collectors Bill and Cherry Palmer (of Huntley and Palmers biscuit manufacturers) from Thomas Agnew & Sons Ltd., London

BY DESCENT | [unknown date]

passed to another member of the family

AUCTIONED | 4th Jun 2024

"The Palmer Family at Bussock Wood: Four Generations of Connoisseurship (Day 1): Contents from Bussock Wood" - Dreweatts, Donnington Priory Newbury

Lot 112; closing bid £13,000

ACQUIRED | 4th Jun 2024

bought by private collector from Dreweatts auction

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Provenance:

  • AUCTIONED - 15th Nov 1978 - "[title unknown]", Sotheby’s, London
    lot 109
  • AUCTIONED - 6th Nov 1981 - "[title unknown]", Christie's, London
    lot 141, illustrated
  • ACQUIRED - September 1987 - by private collectors Bill and Cherry Palmer (of Huntley and Palmers biscuit manufacturers) from Thomas Agnew & Sons Ltd., London
  • BY DESCENT - [unknown date] - passed to another member of the family
  • AUCTIONED - 4th Jun 2024 - "The Palmer Family at Bussock Wood: Four Generations of Connoisseurship (Day 1): Contents from Bussock Wood", Dreweatts, Donnington Priory Newbury
    Lot 112; closing bid £13,000
  • ACQUIRED - 4th Jun 2024 - bought by private collector from Dreweatts auction

Exhibitions:

  • None recorded.

Notes:

  • November 1983 - WITH
    The Fine Art Society, London

Verso  


Image © Dreweatts

Related  

The starting point for The Hammock was this picture by Edward Wadsworth, "Le Havre, France", painted in 1939, now in the collection of the Laing Art Gallery, Newcastle.

The starting point for The Hammock was this picture by Edward Wadsworth, "Le Havre, France", painted in 1939, now in the collection of the Laing Art Gallery, Newcastle.

 

Sunbathing on the Jetty, Penzance (1939)

Image © Richard Eurich Paintings

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