Snow Shower over Skyreholme (1973)
Photo: Paul Tucker / The Nine British Art (formerly Paisnel Gallery)      
© Paul Tucker

Snow Shower over Skyreholme

1973

Oil on board
45.7 x 61 cm

Private Collection

More details...


Recto: Signed and dated lower left: R. Eurich.'73

Aka: Snow Shower over Skyreholme; Snow Shower over Skyreholm

Verso: Inscribed "Snow Shower over Skyreholme", and Arthur Tooth label

England Skyreholme The North Yorkshire Goldfinch barbed wire dales dry stone wall fields grain heather hills moor moorland mountain style summer wheat

"Much more straightforward - although no less important - is Richard Eurich’s Snow Shower Over Skyreholme (1973). Eurich’s landscapes are possessed with an unrivaled lyrical realism, although the compositions often have a pleasingly eerie edge to them. So it is with this brooding painting of the deserted Yorkshire Dales, an outstanding example of his later work."

from Paisnel Gallery website

The name 'Skyreholme', a hamlet in Wharfedale close to Appletreewick (from which the Eurichs took the name of their Hampshire house), comes from Old Norse and means 'bright water-meadow'. The lush green patchwork in the middle of this painting suggests just such a fertile terrain, with which the bracken-pink hillside above contrasts tellingly, crowned by the dark and boldly brushed outline of the forested summit. This landscape is by no means empty or threatening: besides the traces of man's presence (metal fence posts and drystone walling), a solitary goldfinch is perched on the wall, near the centre at the bottom …

read more..

The name 'Skyreholme', a hamlet in Wharfedale close to Appletreewick (from which the Eurichs took the name of their Hampshire house), comes from Old Norse and means 'bright water-meadow'. The lush green patchwork in the middle of this painting suggests just such a fertile terrain, with which the bracken-pink hillside above contrasts tellingly, crowned by the dark and boldly brushed outline of the forested summit. This landscape is by no means empty or threatening: besides the traces of man's presence (metal fence posts and drystone walling), a solitary goldfinch is perched on the wall, near the centre at the bottom edge. Its bright plumage is a point of lyrical joy and sets the emotional timbre of the whole picture.

Andrew Lambirth ‘The Art of Richard Eurich'

See how this work is tied together in the mind of one of Richard's daughters with another 1973 painting The Epiphany.

Provenance

EXHIBITED | 9th to 27th Oct 1973

"Richard Eurich, Recent Paintings" - Arthur Tooth & Sons, London

Cat 27

ACQUIRED | 1973

bought by M Palmer from Tooth's for £600

IN COLLECTION | [unknown date]

in private collection and passed on by descent until 2003

WITH | [unknown date]

the Paisnel Gallery, London

EXHIBITED | May 2012

"20th Century British Art" - Paisnel Gallery, London

ACQUIRED | 2012

bought from the Paisnel Gallery, London

IN COLLECTION | 2021

Private Collection

CAN YOU HELP?

If you can help add to this timeline, please get in touch below.

Provenance:

  • ACQUIRED - 1973 - bought by M Palmer from Tooth's for £600
  • IN COLLECTION - [unknown date] - in private collection and passed on by descent until 2003
  • ACQUIRED - 2012 - bought from the Paisnel Gallery, London
  • IN COLLECTION - 2021 - Private Collection

Exhibitions:

  • 9th to 27th Oct 1973 - "Richard Eurich, Recent Paintings", Arthur Tooth & Sons, London
    Cat 27
  • May 2012 - "20th Century British Art", Paisnel Gallery, London

Notes:

  • [unknown date] - WITH
    the Paisnel Gallery, London

Related  

The Epiphany (1973)

Image © The Collector

Does this page contain inaccurate or missing information that you could help us with, or do you simply want to leave a comment?

References:

  • The Art of Richard Eurich (Andrew Lambirth, pub. 2020: Lund Humphries, 170 colour illustrations, ISBN 9781848221727) [fig 106, pg 127]