Strange Nativity (1948)
Photo: by A. C. Cooper, London / from RE archive      
© unknown

Strange Nativity

1948

25th June 1948: 

Started a 16x20 of foal and mare outside a red brick air raid shelter (Strange Nativity)

RE diary entry

After the strenuous work of the War years and the death of a baby daughter, Dad turned to pictures for children and a chance to unleash his imagination generally. He still had to undertake arduous commissions involving close attention to accurate detail, but in between are scattered examples of his own unique voice.

We lived in the New Forest and at this time the ponies wandered everywhere in the village. All the gates were tied up with complicated knots because of the ponies’ skill at undoing them and raiding the gardens in the night. So they were constant presences in …

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After the strenuous work of the War years and the death of a baby daughter, Dad turned to pictures for children and a chance to unleash his imagination generally. He still had to undertake arduous commissions involving close attention to accurate detail, but in between are scattered examples of his own unique voice.

We lived in the New Forest and at this time the ponies wandered everywhere in the village. All the gates were tied up with complicated knots because of the ponies’ skill at undoing them and raiding the gardens in the night. So they were constant presences in our lives.

This picture was painted in 1948 and the brick air raid shelter remains as a memory of the awful War years. But the pony with her foal represents a new beginning. ‘Nativity’ usually signifies the religious festival and it’s possible to see the huge navigation buoys on the right as the three kings perhaps.

But they may well mean something quite different. There is darkness and weight around this side of the painting while the brighter light and the little boat called ‘Providence’ on the left side seems to feel like hopefulness. It is a strange picture indeed and a strong atmosphere of something beyond the obvious pervades the surface.

Unfortunately we only have this black and white image from Dad’s album but maybe one day we’ll track down the original which we think was bought by an American collector.

[PB]

 

REP-PB

Richard did two other nativities, a drawing (unfinished) around 1928 and a large painting set on a farm in 1949.

Provenance

EXHIBITED | 8th Mar to 2nd Apr 1949

"Richard Eurich, Walter Goetz, Frances Richards" - Redfern Gallery, London

Cat 15

EXHIBITED | 11th to 30th May 1949

"New English Art Club 102nd Exhibition (Spring)" - Royal Institute Galleries, 195 Piccadilly, London

Cat ?

EXHIBITED | 1st Jun to 26th Aug 1951

"RETROSPECTIVE EXHIBITION OF OIL PAINTINGS by RICHARD EURICH, A.R.A." - City of Bradford Art Gallery, Cartwright Hall, Bradford

Cat 5

ACQUIRED | 1951

bought by an American private collector (for a member of the extended Eurich family) from the Redfern Gallery for £40.

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Provenance:

  • ACQUIRED - 1951 - bought by an American private collector (for a member of the extended Eurich family) from the Redfern Gallery for £40.

Exhibitions:

  • 8th Mar to 2nd Apr 1949 - "Richard Eurich, Walter Goetz, Frances Richards", Redfern Gallery, London
    Cat 15
  • 11th to 30th May 1949 - "New English Art Club 102nd Exhibition (Spring)", Royal Institute Galleries, 195 Piccadilly, London
    Cat ?
  • 1st Jun to 26th Aug 1951 - "RETROSPECTIVE EXHIBITION OF OIL PAINTINGS by RICHARD EURICH, A.R.A.", City of Bradford Art Gallery, Cartwright Hall, Bradford
    Cat 5

Notes:

  • None recorded.

Related  

Nativity (c1928)

Nativity (c1928)
Nativity (c1928)
Image © Richard Eurich Paintings

 

A Nativity (1949)

A Nativity (1949)
A Nativity (1949)

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